Erica Synths SequencerSynth 

Erica Module – NAMM pre 4

Neue Erica Synths Module kommen, dh. viele werden einige dieser Module schon gesehen haben, aber FERTIG waren sie bisher nicht.
Die meisten kommen zwischen Feb und Mai auf den Markt.

hier mal die Specs:

Graphic VCO which allows you to draw your own waveforms, arrange them in wavetables and wavetable banks, morph between two selected waves and wavetables, alter the resulting wave in advanced ways (FXes) – apply FM, phase distortion, ring modulation, wavefold/wavewrap, bitcrush and modulate the effects with internal synced LFO.

NAMM 2018: Erica Synths - Graphic VCO & Drum Sequencer

Waves, wavetables, FXes and other settings can be saved and recalled from the memory instantly. The module has two outputs – the main output and the output with configurable suboscillator.

Features:

Versatile waveform design

Morphing between two selected waves

Morphing wavetables

Wavetable design

Wavetable matrix design

Versatile waveform alteration – FM, phase distortion, ring modulation, bitcrush

Internal syncable LFO

Configurable suboscillator output

Skiff-friendly design

Sample rate – 96kHz

Wave resolution – 1024 points

File management and firmware update via USB

Available February 23

 

 DRUM module series, and the aim is to develop extremely versatile Drum System.
Drum modules are designed in collaboration with French company e-licktronic, famous for DIY drum machines NAVA and YOCTO.

DRUM SEQUENCER is designed to provide classical, 909-style sequencing with accents, it has intuitive user interface, live performance focus. In addition to Trigger/Accent outputs, the sequencer has CV/GATE output for synchronized basslines, and two LFOs for drum parameter modulation.

Features:

12x Accent outputs

1x CV/GATE track

2xLFO with independent or synced to the BPM frequency

Time signature per Track

Pattern length per Track

Shuffle per track

Probability per step

Retrigger per step

Instant pattern switching

Solo/Mute tracks

Step/Tap record modes

16 Banks of 16 Patterns

Instant pattern switching

Pattern linking

Midi sync in with start/stop

Track mode

Firmware upgrade via MIDI SySex

BASS DRUM and SNARE DRUM are full analogue, 909-inspired, modules for serious techno sound with lot of CV controlled parameters for modular setups.

More drum modules are in development – Toms, Clap, Rimshot, HiHats, Cymbals, sample-based drum module and, to pull all system together – dedicated a drum Mixer with extended headroom and a limiter of unique design.

The Sequencer, Bass Drum and Snare Drum are in production and will be available in the first weeks of March 2018.

Erica Synths has fully redesigned one of signature modules in Black Series – Black Hole DSP2.. Black Hole DSP2 comes with 24 custom effects, developed in by Erica Synths teamrider KODEK in collaboration with creator of Spin CAD software Gary Worsham. It comes with analogue Dry/Wet crossfade, 3 parameters per effect, distinct Crush feature that radically reduces sampling rate to 1kHz. Useful feature for live performances – all three parameters can be saved with the effect and they are recalled instantly with selecting the effect.

this one was cool – and will be cool again!

Black Hole DSP2 – April 2018.

Our latest development – Resonant Equalizer features fully analogue signal path – 12 unique design (they are not “inspired by”) bandpass filters, that are digitally controlled for increased versatility. 12 band equalizer with manually and CV controlled band levels and resonance occupies only 20HP of rack space. Analogue filter boards will be exchangeable and provide different combinations of bands; the first one has 9 semitone distance between bands.

Features:

Fully analogue signal path

12 band equalizer

OLED screen

Manually and CV controlled band levels

Configurable CV control over band levels including one CV input sequentially controlling all bands

Band level randomization

Configurable CLOCK control over band level change, BPM sync

Patch memory – 6 banks of 6 patches

Interchangeable bandpass filter boards

The Resonant Equalizer – May 2018

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