Synthesizer Wiki - Benutzerbeiträge [de]

Benutzer:Kodoish

2006-12-31T12:13:19Z

Kodoish:

[[Kodoish]] is a longtime projekt of Tomas Kanerva.
Started out as a record label back in 1995, with its first
release out in mars 1996, It was a 10" and there was 4 tracks
cutted.,artist was "the kontrol voltage" A band i had with
Kim Petersen. We did long gigs allkind of raves and was known
for superlong sets that run for 3-5 hours.
Equipment used was:
([[Roland]]s)tr707, tr505, tr606, tr808, tb303, sh101, juno60, promars compuphonic,
system100,([[Korg]]) poly6, [[800DV]](maxikorg), [[EMS]] aks, emu drumulator, sp12 turbo,
Crumar DSS-1, [[Yamaha]] cs15, [[PPG]] 2.2,

Well there was more stuff but i cant remember all., eventually we made an album
1998 on pitch rec, besides 2 singles on kodoish(rec)
Kim later went to move to london and became a photomodel while also studying
graphix art. He is now working in an own company in Stockholm.

I later in 90s became more interrested in synthesis and sounddesign aswell
as the history of electro-acoustic. It led me to start taking studiocources
in 96/97, while i had my own studio in stockholm. To double the work in a
"kitchensynced" studio and also having acces to a classical electronic studio
was important to my music, but also devastating, as i could see how i turned
away from where i came from, and started to like noices and EAM-music.
Well This was at the time very suitable, as i did a record on edel-pitch
"hug n balloons" wich came out early 2000, as a follower on the kodoish3 it
had a impact on the emerging swedish/scandinavia electronic scene.

The same year I was visiting a friends rehearsal-space to collect some
records, when we passed one of the rooms in the hallway, i heard an interresting
hybrid of sounds comming out. I asked the guy., what is that, sounds verykool!
He said he knew the guy behind the band, and he knocked the door..The rest is
history, i joined the band(Audionom) and played with them excesively for almost 2
years. again it led into devastating.,followed by struggeling to survive. Yet audionoms
stardom was not discovered until some years ago(and still rising, funny enuff).

The band split up, later and i was not doing music anymore.

2002 dead broke, lost love, lost everything and ageing(31 that year)., was not to happy, but happy to be alive, litterly.. After that dark period, I started to work as an sound-engineer,and for a DJ-shop,

being in the shop allday, reminded me to much about techno and

my originally roots and love for heavybeats and sharp synthriffs. So having my knowledge of synth's and wich are kool for me and the sounds i wanted to have, i started to get some gear. At that time it was alot of good analogue gear floating around, felt like alot of ppl was out just shopping for MOTU's.

I knew that i wanted instant techno vibes, so i got me a setup wish grew as i started to play and organize my life. It took some time to get the pieces together ,.in some way i was struck(and still are) in the working methods of 1995 garagetechno style. However i did some live shows for youngsters, that never have heard real 303s and analogkick drums. Now i feel that vibrant livetechno I S the future, or atleast has it place alongside more "superproduced" techno from DAWs

Here's my current kit list, basically its all, almost.. There's some more toys/keyboards/atari's, vic20s/gameboys., that i dont really use for music ,.just for inspiration and recreation, maybe i have a wish to get more into bending, or dig into ancient software/hardware. I guess making music is the most important, not even synthprogramming can beat a good jamming/livesession, with drummachines, synth's n fx.

drummachines

mpc3000, tr-909, ESX-1, hr16-b

synthezisers n keys

tb-303, firstman sq-01, esq-1 seiko ds-202 w synth310, seq320, CasioRapMan Siel dk-80, Casio cz-230s, Casio DM-100, Casio HT3000 Korg dss-1, Korg 800-dv, Yamaha pc-200 Elka capri jr(organ oriental scale), Casio1000p, Roland PRO-E

FX & various tools

dynachord superecho 64", mutron III SL-1200 mkII, B&O mic MO8, SPL vitalizer, akai mg1214(mixer/recorder studio rese a r c h (mixer), tc-1210(chorus/flanger) ibanez ad-9, vestax digitaldelaygear(ddg-1), Trio usb a4-14 monitor, event 20/20 monitor, DB PA-system, pb 12" 1.33

I currently play together with peter backebo as charambaboys

http://www.myspace.com/charambaboys

also http://www.myspace.com/kodoish olderstuff http://www.myspace.com/acidkodoish

Kodoish

2006-12-31T11:37:38Z

Kodoish:

[[Kodoish]] is a longtime projekt of Tomas Kanerva.
Started out as a record label back in 1995, with its first
release out in mars 1996, It was a 10" and there was 4 tracks
cutted.,artist was "the kontrol voltage" A band i had with
Kim Petersen. We did long gigs allkind of raves and was known
for superlong sets that run for 3-5 hours.
Equipment used was:
([[Roland]]s)tr707, tr505, tr606, tr808, tb303, sh101, juno60, promars compuphonic,
system100,([[Korg]]) poly6, [[800DV]](maxikorg), [[EMS]] aks, emu drumulator, sp12 turbo,
Crumar DSS-1, [[Yamaha]] cs15, [[PPG]] 2.2,

Well there was more stuff but i cant remember all., eventually we made an album
1998 on pitch rec, besides 2 singles on kodoish(rec)
Kim later went to move to london and became a photomodel while also studying
graphix art. He is now working in an own company in Stockholm.

I later in 90s became more interrested in synthesis and sounddesign aswell
as the history of electro-acoustic. It led me to start taking studiocources
in 96/97, while i had my own studio in stockholm. To double the work in a
"kitchensynced" studio and also having acces to a classical electronic studio
was important to my music, but also devastating, as i could see how i turned
away from where i came from, and started to like noices and EAM-music.
Well This was at the time very suitable, as i did a record on edel-pitch
"hug n balloons" wich came out early 2000, as a follower on the kodoish3 it
had a impact on the emerging swedish/scandinavia electronic scene.

The same year I was visiting a friends rehearsal-space to collect some
records, when we passed one of the rooms in the hallway, i heard an interresting
hybrid of sounds comming out. I asked the guy., what is that, sounds verykool!
He said he knew the guy behind the band, and he knocked the door..The rest is
history, i joined the band(Audionom) and played with them excesively for almost 2
years. again it led into devastating.,followed by struggeling to survive. Yet audionoms
stardom was not discovered until some years ago(and still rising, funny enuff).

The band split up, later and i was not doing music anymore.

2002 dead broke, lost love, lost everything and ageing(31 that year)., was not
to happy, but happy to be alive, litterly..
After that dark period, I started to work as an sound-engineer,and for a DJ-shop,
being in the shop allday, reminded me to much about techno and
my originally roots and love for heavybeats and sharp synthriffs.
So having my knowledge of synth's and wich are kool for me and the
sounds i wanted to have, i started to get some gear. At that time
it was alot of good analogue gear floating around, felt like alot of ppl
was out just shopping for MOTU's.

I knew that i wanted instant techno vibes, so i got me a setup
wish grew as i started to play and organize my life. It took some
time to get the pieces together ,.in some way i was struck(and still are)
in the working methods of 1995 garagetechno style. However i did some
live shows for youngsters, that never have heard real 303s and analogkick drums.
Now i feel that vibrant livetechno I S the future, or atleast has it place
alongside more "superproduced" techno from DAWs

Here's my current kit list, basically its all, almost.. There's some more toys/keyboards/atari's, vic20s/gameboys., that i dont really use for music ,.just for inspiration and recreation, maybe i have a wish to get more into bending, or dig into ancient software/hardware. I guess making music is the most important, not even synthprogramming can beat a good jamming/livesession, with drummachines, synth's n fx.

drummachines

mpc3000, tr-909, ESX-1, hr16-b

synthezisers n keys

tb-303, firstman sq-01, esq-1 seiko ds-202 w synth310, seq320, CasioRapMan Siel dk-80, Casio cz-230s, Casio DM-100, Casio HT3000 Korg dss-1, Korg 800-dv, Yamaha pc-200 Elka capri jr(organ oriental scale), Casio1000p, Roland PRO-E

FX & various tools

dynachord superecho 64", mutron III SL-1200 mkII, B&O mic MO8, SPL vitalizer, akai mg1214(mixer/recorder studio rese a r c h (mixer), tc-1210(chorus/flanger) ibanez ad-9, vestax digitaldelaygear(ddg-1), Trio usb a4-14 monitor, event 20/20 monitor, DB PA-system, pb 12" 1.33

I currently play together with peter backebo as charambaboys

http://www.myspace.com/charambaboys

also http://www.myspace.com/kodoish
olderstuff http://www.myspace.com/acidkodoish

Benutzer:Kodoish

2006-12-30T13:14:09Z

Kodoish:

Kodoish is a longtime projekt of Tomas Kanerva.
Started out as a record label back in 1995, with its first
release out in mars 1996, It was a 10" and there was 4 tracks
cutted.,artist was "the kontrol voltage" A band i had with
Kim Petersen. We did long gigs allkind of raves and was known
for superlong sets that run for 3-5 hours.
Equipment used was:
(rolands)tr707, tr505, tr606, tr808, tb303, sh101, juno60, promars compuphonic,
system100,(korg) poly6, 800DV(maxikorg), EMS aks, emu drumulator, sp12 turbo,
Crumar DSS-1, yamaha cs15, ppg 2.2,

Well there was more stuff but i cant remember all., eventually we made an album
1998 on pitch rec, besides 2 singles on kodoish(rec)
Kim later went to move to london and became a photomodel while also studying
graphix art. He is now working in an own company in Stockholm.

I later in 90s became more interrested in synthesis and sounddesign aswell
as the history of electro-acoustic. It led me to start taking studiocources
in 96/97, while i had my own studio in stockholm. To double the work in a
"kitchensynced" studio and also having acces to a classical electronic studio
was important to my music, but also devastating, as i could see how i turned
away from where i came from, and started to like noices and EAM-music.
Well This was at the time very suitable, as i did a record on edel-pitch
"hug n balloons" wich came out early 2000, as a follower on the kodoish3 it
had a impact on the emerging swedish/scandinavia electronic scene.

The same year I was visiting a friends rehearsal-space to collect some
records, when we passed one of the rooms in the hallway, i heard an interresting
hybrid of sounds comming out. I asked the guy., what is that, sounds verykool!
He said he knew the guy behind the band, and he knocked the door..The rest is
history, i joined the band(Audionom) and played with them excesively for almost 2
years. again it led into devastating.,followed by struggeling to survive. Yet audionoms
stardom was not discovered until some years ago(and still rising, funny enuff).

2002 dead broke, lost love, lost everything and ageing(31 that year)., was not
to happy, but happy to be alive, litterly..
I started to work as an sound-engineer,and for a DJ-shop,
being in the shop allday, reminded me to much about techno and
my originally roots and love for heavybeats and sharp synthriffs.
So having my knowledge of synth's and wich are kool for me and the
sounds i wanted to have, i started to get some gear. At that time
it was alot of good analogue gear floating around, felt like alot of ppl
was out just shopping for MOTU's
I knew that i wanted instant techno vibes, in my kit list.
And not spending time making wierd noises infront of a modular.
I worked with the best synth's in the world, serge, buchla400/200
all very large systems., they are nice and goodstuff, but u kneed
to know what u are doing, and have the nerve to press rec, and process
it to death,..i used to do everything on it., kicks, mainsource, vaist
secuenses for rythm structures., audiocontrols, tapemanglings, guitarramps
The studio 4 in EMS(stockholm) was a very nice experimenting place.

Well loook at my kit list, in what i use now!!

I currently play together with peter backebo. We call ourselfes charambaboys

www.myspace.com/charambaboys

Kategorie:Musicians

2006-12-30T12:50:49Z

Kodoish:

Mucicians can list their projects here..

Musiker können hier ihre Musik vorstellen und listen, mp3 Links etc.

----
if you play live, please add your project to the Live Category [http://sequencer.de/synth/index.php/Category:Live]
Bitte in die Kategorie Live eintragen, wenn du auch Jams und Live aktiv bist! [http://sequencer.de/synth/index.php/Category:Live].

Community / Forum - PROFIL, bitte kopieren und einsetzen - please copy & paste this and add your location.

'''LIVEPROFIL FÜR PARTYPLANUNG / PROFILE FOR PLANNING PARTIES:'''

[ x] solo performer elektronisch (electronic)

[x ] duo elektronisch (electronic)

[ x] band elektronisch (electronic)

[_] solo traditionell (traditional)

[_] duo traditionell (traditional)

[_] band traditionell (traditional)

[_x] dj

[_] vj

[x ] photo/film (ja, es muß ja auch dokumentiert werden - for documentation)

[x ] live engineer [sometimes necessary! oft nützlich]

[_] misc (like artist, painter, ..) sonstiges z.b. feuerschlucker, schnellbiertrinker usw...

[_] more misc - falls ich was vergessen habe bitte hier mit erläuterung anklicken

[ x] konzertant - more concert like

[x ] clubmäßig -- clubby

Benutzer:Kodoish

2006-12-29T16:08:29Z

Kodoish:

Benutzer Diskussion:Kodoish

2006-12-29T15:17:39Z

Kodoish:

Here's my current kit list, basically its all, almost..
There's some more toys/keyboards/atari's, vic20s/gameboys., that i dont really
use for music ,.just for inspiration and recreation, maybe i have a wish
to get more into bending, or dig into ancient software/hardware.
I guess making music is the most important, not even synthprogramming
can beat a good jamming/livesession, with drummachines, synth's n fx.

drummachines

mpc3000, tr-909, ESX-1, hr16-b

synthezisers n keys

tb-303, firstman sq-01, esq-1
seiko ds-202 w 310, 320, CasioRapMan
Siel dk-80, Casio cz-230s, Casio DM-100, Casio HT3000
Korg dss-1, Korg 800-dv, Yamaha pc-200
Elka capri jr(organ oriental scale)

FX & various tools

dynachord superecho 64", mutron III
SL-1200 mkII, B&O mic MO8, SPL vitalizer, akai mg1214(mixer/recorder
studio rese a r c h (mixer), tc-1210(chorus/flanger)
ibanez ad-9, vestax digitaldelaygear(ddg-1), Trio usb
a4-14 monitor, event 20/20 monitor, DB PA-system, Ibanez AD-9,