auf der doepfer seite gibt es zwei hörbeispiele dazu:
This is nothing exceptional. Just the standard VCO/VCF/VCA synthesizer patch. These operations carried out during the example:
* default setting: VCO waveform = sawtooth + rectangle, VCF frequency = maximum, VCF resonance = minimum, VCF modulation = minimum, ADSR times at medium settings
* VCO tuned manually from maximum to about position 2
* filter frequency lowered
* ADSR times manually reduced
* VCF frequency, VCF modulation depth and VCF resonance altered manually (modulation source = ADSR)
* PWM added (about at the center of the example, leads to a richer sound), modulation source = triangle LFO 1
* VCO octave switch operated (center/up/center/down/center)
* VCO tune changed
This example shows some FM sounds that can be generated by the A-111-5. Only the self-oscillation VCF is used as sound source. The VCO is not heard but only used for linear FM (LM).
* default setting: VCO = off, VCF resonance = maximum, no VCF FM or LM, ADSR times at medium settings
* ADSR times manually reduced
* Linear FM (LM) control from zero to about middle position and back to zero
* Exponential FM (XM) control from zero to about middle position and back to zero, modulation source = LFO2 triangle in audio range
* Linear and exponential FM (LM and XM) controls both from zero to about middle position
* small VCO modulation added, modulations source = ADSR
* Linear and exponential FM (LM and XM) controls both back to zero
weiter unten gibt es noch folgendes bild zu sehen:
based on four A-111-5. The voices can be controlled by the planned polyphonic Midi interface A-190-3 (modular version of the DIY/OEM module MTV16 with modified firmware for CV and Gate, planned for spring 2009), in this case no external patches for CV and Gate are necessary as these signals can be internally wired.
