Lumm
Ewiger Semi-Einsteiger Klimperer
Im Rahmen des Zynthian-Projektes hat es Ricard in den Fingern gejuckt und hat seinen eigenen, kleinen, freien Soft-Synth MiMi-d zu der Plattform beigetragen. Als Grundlage nutzt er den Code des OB-Xd Projektes (https://obxd.wordpress.com/), den er eigentlich nicht mag und hat eigene Features beigesteuert. Bitte lest auf seiner Seite selbst (http://www.butoba.net/homepage/mimid.html) , hier ein kleiner Auszug:
The instrument implements a fairly basic two oscillator synthesizer, with the idea of keeping the number of parameters low, so that it's possible to grasp the instrument easily, thus being more inviting to create sounds on. In essence, it is a combination of the best ideas from the Delta Seven and MiMi-a synthesizers, in digital form.
- Two oscillators, with selectable standard waveforms (saw, triangle, pulse).
- 24 dB/octave low pass filter, with additional 18, 12 and 6 dB/octave modes.
- Rudimentary settable 6 dB/octave high pass filter.
- VCA with overdrive function.
- Cross modulation from one oscillator to the other.
- Audio modulation from one oscillator to the filter.
- Variable level sync between oscillators.
-Two five stage ADSSR envelopes (for the filter and VCA), i.e. your standard ADSR envelope with an additional sustain time parameter so that the sustain phase can function as a second decay.
- Two per-voice LFOs, with optional key sync.
- No modulation matrix! Instead, the output from each modulator is controlled by a dedicated mod level and routing controls.
- Bidirectional filter envelope modulation - no more running out of the low end of the cutoff control when adding a lot of envelope modulation.
- After touch and velocity sensitivity.
Jetzt gibt es VST und AU Plugins für Linux und MacOS. Vielleicht mag es ja jemand hier. Es sind einige gute Presets dabei. Für mich unter Logic Pro finde ich den MiMi-d sehr ergiebig.
The instrument implements a fairly basic two oscillator synthesizer, with the idea of keeping the number of parameters low, so that it's possible to grasp the instrument easily, thus being more inviting to create sounds on. In essence, it is a combination of the best ideas from the Delta Seven and MiMi-a synthesizers, in digital form.
- Two oscillators, with selectable standard waveforms (saw, triangle, pulse).
- 24 dB/octave low pass filter, with additional 18, 12 and 6 dB/octave modes.
- Rudimentary settable 6 dB/octave high pass filter.
- VCA with overdrive function.
- Cross modulation from one oscillator to the other.
- Audio modulation from one oscillator to the filter.
- Variable level sync between oscillators.
-Two five stage ADSSR envelopes (for the filter and VCA), i.e. your standard ADSR envelope with an additional sustain time parameter so that the sustain phase can function as a second decay.
- Two per-voice LFOs, with optional key sync.
- No modulation matrix! Instead, the output from each modulator is controlled by a dedicated mod level and routing controls.
- Bidirectional filter envelope modulation - no more running out of the low end of the cutoff control when adding a lot of envelope modulation.
- After touch and velocity sensitivity.
Jetzt gibt es VST und AU Plugins für Linux und MacOS. Vielleicht mag es ja jemand hier. Es sind einige gute Presets dabei. Für mich unter Logic Pro finde ich den MiMi-d sehr ergiebig.
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