dadamachines - Composer PRO

M

maxmatteo

||
Das Teil sieht mal interessant aus. Bin sehr gespannt:


51958

Code:
composer pro specifications
Sequencer
• 16 × MIDI/Audio tracks (Machines)
• up to 12 Patterns per Machine
• Up to 16 Bars per pattern
• Individual track lengths
• Individual clock multiplier/divider per track
• Custom Chord Pads, Custom Trigger Views
• Parameter per Step
• Unquantized/Quantized Recording
• Step-Repeat and Phrase-Repeat
• Real-Time Note correction (Autoscale)
• Record Automation
• Full real-time control

Processing
• 2 x 120Mhz ARM Cortex M4F Microcontrollers with FPU
• 1 x FPGA – Lattice ICE40UP5K
• Compute module 3+ SoC. quad core 1.2ghz, 1gb RAM, 8-32gb eMMC.

Storage
• Micro SD-Card storage
• unlimited amount of Projects*
• 8-32 on Board RAM

Hardware
• 261 backlit RGB Buttons
• 1 x Menu encoder with switch & 4 x Parameter encoders
• 2-dimensional Touchstrip  (for Manipulation)
• 128 × 64 pixel OLED screen, 16-level bright white huge pixels.
• Footswitch input to control start, stop, and record
• USB MIDI Host
• USB-C MIDI Device – USB 2.0
• 2 x DIN MIDI In
• 2 x DIN MIDI Out
• 1 x Sync In / 1 x Sync Out
• 1 x 1/4” stereo headphone jack with gain
• 2 x 1/4” impedance balanced audio out jacks
• 2 x 1/4” impedance balanced audio in jacks
• HDMI Out
• 4 x USB Host ports for devices
• Power inlet: Center positive 5.5 × 2.5 mm barrel jack, 12 V DC, 5 A

Physical specifications
• Frontpanel – anodized black aluminium
• Bottom Shell – powder coated black aluminium
• Dimensions: W 330 × D 280 × H 40 mm (13.3” × 7.2” × 2.5”) (including knobs, jacks, and rubber feet)
• Weight: approximately 2.5 kg (5 lbs)
 
Dadamachines Composer Pro

dadamachines announces grid based midi performance sequencer composer pro

composer pro is the new hub for electronic musicians, a missing link for sketching ideas and playing live. It’s a standalone sampler and live instrument, and connects to everything in a studio or onstage, for clock and patterns. And it’s open source and community-powered, ensuring it’s only getting started.

Edit patterns by step, play live on the pads and touch strip, use external controllers – it’s your choice. Sequence and clock external gear, or work with onboard instruments. Clock your whole studio or stage full of gear – and sync via wires or wirelessly.

Finally, there’s a portable device that gives you the control you need, and the big picture on your ideas, while connecting the instruments you want to play. And yes, you’re free to leave the computer at home.

composer pro will be shown to the public the first time at superbooth in Berlin from 9-11th of may. Sales start is planned for late summer 2019.

Play:

Use a massive, RGB, 16×12 grid of pads
192 triggers – 261 buttons in total – but organized, clear, and easy
Step sequence or play live
Melodic and rhythmic/drum modes
MIDI looper
Work with quantization or unquantized
Play on the pads or use external controllers
Touch strip for expression, live sequence transformations, note repeat, and more

Stay connected:

MIDI input/output and sync (via USB-C with computer, USB host, and MIDI DIN)
Analog sync (modular, analog gear)
DIN sync support (for vintage instruments like the TR-808)
USB host – with a built-in 4-port hub
Abeton Link support (USB wifi dongle required for wireless use)
Stereo audio in
Stereo audio out
Headphone, footswitch

Onboard sounds and room to grow:

Internal instruments and effects
Powered by open source sound engines, with internal Raspberry Pi computer core
Includes ORAC by technobear, a powerful sequenced sampler
Arrange productions and set lists:
Full automation sequencing (via MIDI CC)
Trigger patterns, scenes, songs
16-measure sequences, 12 scenes per song
Unlimited song storage (restricted only by SD card capacity



 
Welche sind denn nun die "16 machines"? Über Audio Stretching hab ich leider noch nichts gelesen aber das layout schreit ja nach clips!
 
Bisher ging keiner auf den Fakt ein, dass das Ding einen HDMI Ausgang hat. HDMI! Zusammen mit USB kann man also dann sogar einen Touchscreen damit betreiben. Oder man gibt einfach eine Visualisierung von MIDI/Audio auf nem Projektor aus, sofern es die Leistung der Hardware zulässt. Natürlich muss es Software dafür geben aber dank der offenen Architektur kann da jeder Hand anlegen.
 




Anhang anzeigen 52080

composer pro specifications
Sequencer
• 16 × MIDI/Audio tracks (Machines)
• up to 12 Patterns per Machine
• Up to 16 Bars per pattern
• Individual track lengths
• Individual clock multiplier/divider per track
• Custom Chord Pads, Custom Trigger Views
• Parameter per Step
• Unquantized/Quantized Recording
• Step-Repeat and Phrase-Repeat
• Real-Time Note correction (Autoscale)
• Record Automation
• Full real-time control
Processing
• 2 x 120Mhz ARM Cortex M4F Microcontrollers with FPU
• 1 x FPGA – Lattice ICE40UP5K
• Compute module 3+ SoC. quad core 1.2ghz, 1gb RAM, 8-32gb eMMC.
Storage
• Micro SD-Card storage
• unlimited amount of Projects*
• 8-32 on Board RAM
Hardware
• 261 backlit RGB Buttons
• 1 x Menu encoder with switch & 4 x Parameter encoders
• 2-dimensional Touchstrip (for Manipulation)
• 128 × 64 pixel OLED screen, 16-level bright white huge pixels.
• Footswitch input to control start, stop, and record
• USB MIDI Host
• USB-C MIDI Device – USB 2.0
• 2 x DIN MIDI In
• 2 x DIN MIDI Out
• 1 x Sync In / 1 x Sync Out
• 1 x 1/4” stereo headphone jack with gain
• 2 x 1/4” impedance balanced audio out jacks
• 2 x 1/4” impedance balanced audio in jacks
• HDMI Out
• 4 x USB Host ports for devices
• Power inlet: Center positive 5.5 × 2.5 mm barrel jack, 12 V DC, 5 A
Physical specifications
• Frontpanel – anodized black aluminium
• Bottom Shell – powder coated black aluminium
• Dimensions: W 330 × D 280 × H 40 mm (13.3” × 7.2” × 2.5”) (including knobs, jacks, and rubber feet)
• Weight: approximately 2.5 kg (5 lbs)
 
mir hat die Haptik /Anbrinungung der Buttons nicht gefallen ... man konnte keine Sequenzen "malen" per drüberstreichen ... zumindest bin ich immer abgerutscht und am nächsten button hängengeblieben

aber die Serienproduktion ist wohl eh noch eine Weile hin, vielleicht tut sich ja da noch was
 
Der Vollstaendigkeit haelber: Das Projekt ist gecancelt.

-beaes
 
Scheiße.
Das war meine aller größte Hoffnung auf dem Markt. Der Rest ist immer noch ziemlicher Mist.
 
Gibts irgendjemand der evtl die Gründe kennt?
Ich könnte mir vorstellen, dass se Angst vorm Uli B. hatten, da es ja OpenSource werden sollte.
 
Behringer wird das ehr nicht klonen, viel zu sehr Randgruppe dieses Gerät. Soll aber wohl schon Fälle gegeben haben in denen Behringer kleine Unternehmen einschüchtern wollte indem ihnen eine "Koorperation" angeboten wurde. Weiß nicht ob sie das noch nötig haben.

Die Gründe würden mich aber auch interessieren. Vielleicht war die Audio-Funktion zu viel? Mit nem reinen Sequenzer wäre ich schon zu 1000% zufrieden.
 


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