Wenn du den P6 nur neu stimmen willst und ein KLM 366B hast, versuch mal das hier.
Ich habe es gerade hinter mir und es hat sehr gut geklappt, ist aber nicht einfach.
Man muss sich ein wenig einfuchsen.
> The description in the adjustment procedure is for the
> "Old Production", you are right. This maps as follows to the
> "New Production" (n.b. old/new is only valid for the KLM-366 board,
> all other boards are just one version)
>
> +------+-----+---------------+
> | OLD | NEW | meaning |
> +======+=====+===============+
> Overall pots:
> +------+-----+---------------+
> | VR1 | VR1 | tune mid |
> +------+-----+---------------+
> | - | VR2 | tune high |
> +------+-----+---------------+
> | VR3 | VR3 | tune low |
> +------+-----+---------------+
> | VR4 | VR4 | EG intensity |
> +------+-----+---------------+
> | VR5 | VR5 | KBD tracking |
> +------+-----+---------------+
> | - | VR13| KBD track offs|
> +------+-----+---------------+
> | - | VR14| DAC MSB adj |
> | | | ("D#4 - E4") |
> +------+-----+---------------+
> |KLM396| VR15| tune mid |
> | VR1 | | |
> +------+-----+---------------+
> Voice pots:
> +------+-----+---------------+
> | VR6 | VR6 | VCF resonance |
> +------+-----+---------------+
> | VR7 | VR6 | VCF offset |
> +------+-----+---------------+
> | VR8 | VR8 | VCF cutoff |
> +------+-----+---------------+
> | VR9 | VR9 | VCA adjust |
> +------+-----+---------------+
> | VR10 | VR10| VCO tune low |
> +------+-----+---------------+
> | VR11 | VR11| VCO tune high |
> +------+-----+---------------+
> | VR12 | VR12| EG time |
> +------+-----+---------------+
>
> Be sure to move the sliding switch towards the back, which is normal
> tuning, when doing the tuning procedure. The service manual is not
> clear in this point (maybe better for "Old Production"). When finished
> you (may) move it towards the front and enable the stretched tuning.
> You can verify the tuning mode easily with a tuner when playing a high
> note: when switching the sliding switch back and forth the lower pitch
> is normal tuning, the higher pitch is stretched tuning, which adds even
> more richness and movement to the sound.
> I do it this way:
> 1) move the overall tuning pots VR2, VR3 (hi, low) to center position
> 2) move VR10, VR11 of unit 0 to center position.
> 3) now tune unit 0 with the overall pots, using a chromatic tuner.
> this can be a little tricky, as all pots are influencing each other.
> you may adjust VR10 and/or VR11 to gain perfect tuning atlow/high
> notes.
> 4) use (overall) pots VR14, VR15 to find the best compromise in
> deviation from ideal tuning during the whole scale (dont forget to
> change the footage switch on the control panel; i.e. the lowest note
> is C0 at a 16' setting, the highest not is C5 at 4')
> 5) when satisfied with tuning unit 0 take a break; your ears will need
> it!
> check that pots are about in the middle; none should be cranked to
> one edge; you can get into trouble later on!
> 6) then tune units 1..5 *to unit 0*! dont tune units 1..5 individually!
> 7) check tuning with a 6-voice-same-note-chord in chord memory
> Dont be disturbed that you cannot make it perfect! It is 6
> *independent* oscillators with analogue circuitry - they never will
> be 100% perfect. After all, thats what we folks want!
), aber wenn ich mich recht erinnere, kommt dieser dummy-widerstand an einen anschluss am netzteil, und wird nur am anfang gebraucht, wenn es darum geht, die spannungsversorgung fuer den ganzen digitalen kram zu justieren. 
