rofilm
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Anhang anzeigen patchani_only.mp4
4 Stunden video ueber patching (Eurorack ARP clones) and switching (ARP clones mit Switch Matrix), background Info, sound-and-text art, tutorial, Multimode Filter (Module 1047) Zaubereien, das Wie und Warum von Spielereioen mit vintage modularen Synth systemen etc. etc. Mehr ueber das alles, sowie den Weg zu dem Monster Video bestehend aus 5 Teilen findet Ihr hier: https://dev.rofilm-media.net/node/290.
Aber die Inhaltsverzeichnisse schreibe ich schon mal in dieses Forum:
Part A:
0:00:00 Introduction, Content And Timeline
0:02:21 Overview And Functions
0:04:18 History: Denis P. Collin And His Multimode Filter
0:04:38 The LP Filter
0:04:38 Filters and Their Slope
0:05:04 Comparing Moog Filters And ARP Filters
0:13:39 A Filter Patch With Delay And LP And Variations
0:19:16 A Filter Improvisation (LP, HP, Delay, LFO etc.)
With Included Slide Show About the History of Electronic Music
0:26:49 The Respond Characteristic of the CV Input Jacks And Their Offsets,
Impedances And Voltage Ranges of the Module 1047
0:30:00 The Filter Overload LED
0:31:14 The HP Filter
0:31:14 Cleaning a Sound Source Reverb
0:33:11 Demonstrating: HP Filter And Delay
Including a Slide Show about the History of the Company ARP
0:38:00 Creating a Sonic 3D Space With HP Filters
0:41:51 Operating White Noise And Showing Filter Curves
0:46:35 Demonstrating A Classic Patch and Filter Overload
0:54:01 A Simple But Flexible Patch Improvisation
Including An Abstract Slide Show And Basic Thoughts About What We are Doing
Part B:
0:00:00 The BP Filter
0:00:37 BP Spectrum And White Noise, Changing BP to HP and to LP
0:10:11 Comparing the Output Levels of LP, HP and BP
0:13:27 BP Filters And the Wah-Wah Effect
0:16:12 Combining LP And BP (Patch Example And Improvisation)
Including a Slide Show of ARP Synthesizers
0:21:41 A Patch a Bit More Complex And Improvisation
Including a Slide Show and Some Thoughts On how We perceive Things
(My Personal Kant)
0:30:52 The Notch Filter
0:31:37 Hard Facts, Diagrams And the Notch Filter´s Independency
0:33:15 The Noth Filter And White Noise, Fc vs. Fnotch
0:36:40 Addressing Single Partials An a Spectrum
0:39:16 Changing Notch to LP and to HP
0:40:17 An Even More Complex Patch Working With 3 Different Filters
Including a Slide Show And Some Puzzling Thoughts About Consciousness,
Quantum Physics and World Spirit (My Personal Hegel)
0:47:22 A Special Notch Wah-Wah (Patch Plus Demonstration)
0:51:51 A Bit More Modules Included (Notch Envelope Modulations And More)
0:54:32 Stereo Effects With Notch and BP Filters
0:56:00 Notch Plus LP
Part C:
0:00:00 Pitch Stability, Temperature and Grinding Down Transistors
0:02:23 Questions and Examples of Self-Resonance And Filter Pinging
0:18:46 “Pinging Around the World” (Patch Improvisation And Slide Show)
0:23:03 Patch: Three Different Envelopes On Three Different Filter Parameters
0:30:19 The Multimode Filter 1047 Working Together With the FiltAmp Module 1006
0:33:49 Patch: Killing a Melody Using the 1047 And the 1006
0:40:08 Human Voices, Washing Machines And Pop Songs Fed Into the Multimode Filter (From
Tape) Presented As an “Audible Version” of One of My Poems (Including Photos)
0:45:41 A Really True Software Version of the ARP 2500 With Matrix Switches: The G2500
0:50:37 Two Hardware Alternatives to Behringer: Mos-lab and CMS
Part D:
0:00:00 Comparing Behringer´s Hardware Clone, Voltage Modular´s Software Version and the
G2500 Software Version of the ARP 2500
0:00:20 Authenticity And Differences of the Functions (Including the Keyboard Percussion
Function, the LOW LEVEL Input, And the Voice of the Cylons from “Battle Star
Galactica”)
0:09:03 The “NORM – LIM” Switch
0:14:01 A Comprehensive In-Detail Comparison of the Sounds of the Three Versions
(All Four Filter Types of the Three Modules At different Amounts of Resonance And
Working on Different Pitches – Something for Real “Hardcore Nerds”)
1:00:03 End of Part D
Part E:
“The Scream”
A Short Story Written by Rolf Kasten (Back In the Days) And Set To Music With Some Added Photos.
Most of the Sounds Are Made With All Three Versions of the ARP 2500.
4 Stunden video ueber patching (Eurorack ARP clones) and switching (ARP clones mit Switch Matrix), background Info, sound-and-text art, tutorial, Multimode Filter (Module 1047) Zaubereien, das Wie und Warum von Spielereioen mit vintage modularen Synth systemen etc. etc. Mehr ueber das alles, sowie den Weg zu dem Monster Video bestehend aus 5 Teilen findet Ihr hier: https://dev.rofilm-media.net/node/290.
Aber die Inhaltsverzeichnisse schreibe ich schon mal in dieses Forum:
Part A:
0:00:00 Introduction, Content And Timeline
0:02:21 Overview And Functions
0:04:18 History: Denis P. Collin And His Multimode Filter
0:04:38 The LP Filter
0:04:38 Filters and Their Slope
0:05:04 Comparing Moog Filters And ARP Filters
0:13:39 A Filter Patch With Delay And LP And Variations
0:19:16 A Filter Improvisation (LP, HP, Delay, LFO etc.)
With Included Slide Show About the History of Electronic Music
0:26:49 The Respond Characteristic of the CV Input Jacks And Their Offsets,
Impedances And Voltage Ranges of the Module 1047
0:30:00 The Filter Overload LED
0:31:14 The HP Filter
0:31:14 Cleaning a Sound Source Reverb
0:33:11 Demonstrating: HP Filter And Delay
Including a Slide Show about the History of the Company ARP
0:38:00 Creating a Sonic 3D Space With HP Filters
0:41:51 Operating White Noise And Showing Filter Curves
0:46:35 Demonstrating A Classic Patch and Filter Overload
0:54:01 A Simple But Flexible Patch Improvisation
Including An Abstract Slide Show And Basic Thoughts About What We are Doing
Part B:
0:00:00 The BP Filter
0:00:37 BP Spectrum And White Noise, Changing BP to HP and to LP
0:10:11 Comparing the Output Levels of LP, HP and BP
0:13:27 BP Filters And the Wah-Wah Effect
0:16:12 Combining LP And BP (Patch Example And Improvisation)
Including a Slide Show of ARP Synthesizers
0:21:41 A Patch a Bit More Complex And Improvisation
Including a Slide Show and Some Thoughts On how We perceive Things
(My Personal Kant)
0:30:52 The Notch Filter
0:31:37 Hard Facts, Diagrams And the Notch Filter´s Independency
0:33:15 The Noth Filter And White Noise, Fc vs. Fnotch
0:36:40 Addressing Single Partials An a Spectrum
0:39:16 Changing Notch to LP and to HP
0:40:17 An Even More Complex Patch Working With 3 Different Filters
Including a Slide Show And Some Puzzling Thoughts About Consciousness,
Quantum Physics and World Spirit (My Personal Hegel)
0:47:22 A Special Notch Wah-Wah (Patch Plus Demonstration)
0:51:51 A Bit More Modules Included (Notch Envelope Modulations And More)
0:54:32 Stereo Effects With Notch and BP Filters
0:56:00 Notch Plus LP
Part C:
0:00:00 Pitch Stability, Temperature and Grinding Down Transistors
0:02:23 Questions and Examples of Self-Resonance And Filter Pinging
0:18:46 “Pinging Around the World” (Patch Improvisation And Slide Show)
0:23:03 Patch: Three Different Envelopes On Three Different Filter Parameters
0:30:19 The Multimode Filter 1047 Working Together With the FiltAmp Module 1006
0:33:49 Patch: Killing a Melody Using the 1047 And the 1006
0:40:08 Human Voices, Washing Machines And Pop Songs Fed Into the Multimode Filter (From
Tape) Presented As an “Audible Version” of One of My Poems (Including Photos)
0:45:41 A Really True Software Version of the ARP 2500 With Matrix Switches: The G2500
0:50:37 Two Hardware Alternatives to Behringer: Mos-lab and CMS
Part D:
0:00:00 Comparing Behringer´s Hardware Clone, Voltage Modular´s Software Version and the
G2500 Software Version of the ARP 2500
0:00:20 Authenticity And Differences of the Functions (Including the Keyboard Percussion
Function, the LOW LEVEL Input, And the Voice of the Cylons from “Battle Star
Galactica”)
0:09:03 The “NORM – LIM” Switch
0:14:01 A Comprehensive In-Detail Comparison of the Sounds of the Three Versions
(All Four Filter Types of the Three Modules At different Amounts of Resonance And
Working on Different Pitches – Something for Real “Hardcore Nerds”)
1:00:03 End of Part D
Part E:
“The Scream”
A Short Story Written by Rolf Kasten (Back In the Days) And Set To Music With Some Added Photos.
Most of the Sounds Are Made With All Three Versions of the ARP 2500.
.
