Hier mal ein paar Beispiele von Bodentretern im Kontext.
Man hört eine TR-808 durch:
Korg SE-300 Band Echo
Korg CMP-1 Compressor
Solasound Tone Bender
Beschreibung ist in Englisch, bin zu faul, das zu Übersetzen
You hear a Roland TR-808 run trough the Korg SE-300 Band Echo, but
this not in Echo Mode, just using the very nice distortion it
can create by overdriving the input stage.
After the SE-300 I used a Korg CMP-1 Compressor to get the levels
a bit under control.
This is the "dry" signal from the SE-300, just every beat turning
the Channel A - Volume knob up one digit.
This is the delay signal from the SE-300, so the signal was recorded
to tape and played back again. Only the "wet" signal is heard, so
no delay effect is perceived, just additional punch from the tape
saturaton. Again every beat the Channel A - Volume knob is turned up
one digit.
Same again, this time the signal is run through the built in spring
reverb of the SE-300. Mix is 50/50. What a shattery and metalic
sound that is. Again every beat the Channel A - Volume knob is turned
up one digit.
The TR-808 is now run through a Solasound Tone Bender, which is
a 70s stomp box. Again every beat the FUZZ knob is turned up a bit.